Anyone who has talked to me for more than fifteen minutes knows that I am a HUGE comic book nerd. Ever since I was eight years old, I have spent a good portion of my weekly disposable income on funny books. A good friend pointed out a long time ago, “Just imagine if you had invested that same money into mutual funds”. True, I would be in a much better financial position, but I would have lost out on thousands of hours of reading and visual enjoyment, as well as one of the main influences that directed me toward my career in the Graphic Arts. And although I would definitely have a lot more storage space available, I would not be the repository of useless superhero trivia that I am today. The visual language of comic books often creeps into my professional work and it is so ingrained into my being that I usually don’t even notice until someone else points it out. One of my favourite comic elements that sometimes shows up on our brainstorming sessions is “Kirby Krackle“.
Kirby Krackle is named after an effect created by Jack “the King” Kirby. Kirby would bring his pages alive by simulating the visual appearance of energy through the use of layered black and white dots. Similar to how a corse half-tone pattern generates the illusion of a photograph in a newspaper, Kirby would arrange dots in a way that created the crackling effect of electricity or powerful flowing energy. Once he figured out how to harness the power of those dots, he used them to create a dynamism within his work that has rarely been matched even to this day, almost 45 years later. Another of my favourite comic artists, John Byrne also utilized Kirby Krackle with great mastery.
Unfortunately Kirby Krackle is such a niche comic books visual motif, that most people who are not versed in comic’s visual language do not understand it. As a result, my heroic attempts to implement Kirby Krackle outside of anything remotely comic book related never make it past the concept sketches. I’ve kept my eyes open to see if anyone else has used a similar effect in the traditional work of the graphic design industry, but I have yet to see anything beyond the comic book medium. I swear, one day it will be the perfect visual solution for a design problem that I am struggling with… and what a truly great day that will be.
The Silver Surfer by Jack Kirby © Marvel Comics
The Silver Surfer and Dr. Doom by Jack Kirby © Marvel Comics
a page from Fantastic Four #84 featuring the Thing and Mr. Fantastic by Jack Kirby © Marvel Comics
a page from Fantastic Four #281 featuring the Human Torch by John Byrne © Marvel Comics