Last week I went to Lake Louise, Alberta, for a storybook winter wedding. Chateau Lake Louise is a picturesque, dream location to host a wedding. The venue is so historic, so luxurious, so iconic, so… Canadian, that you just can’t go wrong. The glorious Rocky Mountains, ice castles, horse drawn sleighs, lake ice skating, skiing, snow shoeing, the list goes on and on.
But this was just not just anyone’s winter wedding… it was my only Sister’s winter wedding. So when she asked me to design her wedding invitations (and everything else that goes with it, there are so many other pieces that are needed for the event), how could I even consider saying “no”?
My sister (and her fiancé) were tough customers. They knew what they wanted, and there was a lot of pressure to live up to the aesthetic of the venue. In the end, we kept the graphic design simple, tried not to compete with the elements that were already in place, and capitalize on the “Canadiana” of the wedding.
Hopefully you’ll agree with my Sister (and her guests) that everything turned out perfect.
Over the years I have had the good fortune to spend many summer days at various beach communities throughout North America. I’ve splashed in countless lakes across Canada; from Lake Muskoka, to Lake Winnipeg, to Sylvan Lake. I’ve lounged on beaches up and down the Pacific Coast; from San Diego, to Pacific City, to Tofino. I’ve strolled along the Coney Island Boardwalk, and Seaside’s Promenade.
One thing that impressed me about all these waterside communities is their common graphic design aesthetic. Maybe it is with nostalgia that I look back on all those lazy summer days and ice-cream induced comas, but there is a very rich sense of innocents and honesty about the graphic language utilized within those neighbourhoods. The tone and style of the roadside visuals shift the further you move away from the city, and take on a different voice the closer you get to the water. The signage that designates the regions of these small communities is often imperfect and unpretentious (sometimes even dilapidated). However, that isn’t to say that effort and attention hasn’t been put into making the visual messages communicate. Honestly, if the pieces are too “good”, pristine, or refined, they wouldn’t work. The charm would be lost. It is almost as if the inhabitants of these communities are compelled to “brand” their summer properties and family run businesses, to let others know that they belong there. The typographic efforts are a joy to behold, and the variety of materials used to house these messages are a refreshing change from the vinyl and plastic found in common contemporary signage.
Unfortunately, it looks as if more and more of the imaginative signs that I appreciate in these communities are being replaced by the easier, uninspired plastic and vinyl that I’m not a big fan of. Not that plastic and vinyl letters don’t have their place, it just feels like much of the personality is lost when those elements are introduced to these character rich communities. Next time you are off the beaten path, and in a community near a large body of water, look around at the graphics on display… chances are you’ll get that “beach town” feeling before you even see the water.
Click on the “read more” link below to enjoy a few images from my collection of signs that display beach vernacular. Maybe they will help warm you up on this chilly winter day.
Pennants of Canada produces custom, vintage inspired felt pennants. Manufactured in Canada, they work with some of our country’s best artists to produce their designs.
Initiated by Bob Kronbauer, founder of the Vancouver Is Awesome network, Pennants of Canada is all about celebrating the people, places and things that make us all proud to be Canadian. Bob stumbled across our Adanac icon font and immediately knew that it was a great fit with what he was striving for with his new venture. We agree! We couldn’t be happier to be involved with Pennants of Canada and are aiming to release more designs with them in the near future. In the meantime, this Adanac Pennant is the perfect gift for the Canadians on your holiday list.
I was meaning to post a book review as a follow up to the one I put up a while back, but we got busy, and didn’t have time to read as much as I would have liked (aside from the typical weekly haul of comic books). Luckily, the Christmas holidays rolled around again, and I was able to find some free time to lay on the couch with a stack of books. As usual, I got some good ones as gifts over the holidays, some arrived from the local library, and others finally found their way into my hands after gathering dust on the office shelf. Here is a recap of what I spent time with over the holidays and into January;
As a busy father of two frenetic girls, and a busy graphic design schedule, I don’t have much time to sit down with a good book. When I do, I usually trying to catch up on my pile of unread comic books. So when the Christmas holidays roll around, I try to soak up as many pages as possible. It is my goal to catch up on the books that piled up in the studio over the past year, as well as the gems that I acquire as X-mas gifts. A well designed book is always inspirational (even if it isn’t specifically about “design”).
Here is a quick rundown of what I caught up on over the holidays and into January;
It is with great sadness that I report the passing of our good friend and studiomate Loki.
When Sue and I started 10four back in 2002, there was never a doubt that Loki would play a role in our new graphic design studio. Being your own boss has a few perks, and one of them is being able to bring your dog with you to work. Having Loki around in our office has always conveyed the kind of work environment we want to promote, and the casual, easy going attitude we express. Our clients enjoyed seeing her in our space and often asked about her on the days she stayed home. Even the mailman was happy to see her.
Over the last 12 years, we’ve moved the design office for 10four 3 times (four if you count moving offices within the same studio space), and every time Loki has had a desk to curl up under and a pillow in the corner. Last week I took that pillow home from the office for the last time, and it broke my heart.
Loki was with us from the start, and she will be missed… very, very much.
A few weeks back I did a quick trip from Vancouver to Los Angeles. It was a jammed packed, over-the-top four days, but I managed to find time to admire the typographic diversity and craftsmanship of the signage on display in the various neighbourhoods that I visited. Although I wasn’t enamoured with the local design offerings as I was when I visited the East Coast, there was still plenty to appreciate. In comparison to New York, Los Angeles is far more spread out and sprawling, so there is more distance to be covered to experience different signage opportunities. A great deal of the architecture is Art Deco and International inspired (at least in the neighbourhoods I spent my days), and the best environmental typography I found reflected that style. Neon was everywhere (which really fit with “LA”), along with the standard, mundane corporate light boxes. Not as prevalent as I would have expected, there was some “hand done” typography to be found. A somewhat unexpected surprise was a plethora of mosaic treatments. The light is unique in LA (maybe it is the smog?), and it gave the architecture and the accompanying signage a charming quality that is hard to describe.
Here are some samples of a few of my graphic design favourites;
Many more images from my field trip here…
My love of comic books is no secret. I have been purchasing funny books on a weekly basis since I was eight years old, and much to the dismay of my wife, my collection has ballooned to almost 20,000 issues. There is little doubt that my love for the comic book medium lead directly to my involvement in the graphic arts. When FanExpo was held this past weekend in Vancouver, anyone who has ever met me knew where I could be found.
I love comic books, but the fans that attended FanExpo really, really, REALLY embrace pop culture. The variety of costumes on display helped pass the time while waiting in the ridiculously long line-up to get into the convention centre. So many characters pulled from comic books, cartoons, anime, movies and video games… kudos to the amount of effort that Vancouver fans put into their costumes.
For anyone associated with the visual arts, events like this just can’t be passed up. It was visual overload and a great opportunity to be exposed to some really interesting material. The work that our graphic design studio produces is primarily based in print, and there was no shortage of interesting print matter to ogle. Great vintage posters, exciting books, wonderful packaging, and cutting edge illustrations; many created right in front of your eyes. Aside from an opportunity to find obscure comics or hard-to-find toys, it is a good chance to discover new inspiration. I was lucky enough to chat with the creators of some of my favourite comics and I even had Stan Lee sign one of my back issues. The guy is in his 90’s and he has more energy than my kids!
If comic books aren’t your thing (What!?!), FanExpo does a great job of offering a variety of pop culture interests, and the programming takes advantage of the TV, Film and Videogame talent that is a huge part of the industry in Vancouver. Great fun for kids of all ages. Maybe next year I’ll even bring mine along.
I’m a sucker for good graphic design books (what designer isn’t?). A pile of books showed up around Christmas time. Some of them were X-mas gifts, others arrived from the library. Luckily, I was able to dig into them over the holidays and become inspired by what I read. Here is a quick rundown of what was awesome on the book pile;
Prior to Christmas holidays I was busy styling Danica Studio’s Fall 2013 catalog.
In October I was very fortunate to see Sibella Court when she spoke at Maiwa on Granville Island. She is a stylist, designer and collector who I’ve really come to admire. She has an eye for finding the extraordinary in everyday settings and objects. The timing of her lecture was perfect as I was in the beginning stages of planning and I found her talk very inspiring.
In late November, I was on the prowl for new and interesting props. Some of the things on my list were: vintage perfume bottles, metal trays and vessels, fancy utensils, feathers, fish, nuts, fall foliage, bristle brush animals, pearls, spotted eggs, trophies and small things in shades of blue. When I wasn’t shopping, I was painting and distressing backdrops and searching for small, portable pieces of furniture.
Early December we embarked on a three week photoshoot. To make the most of everyone’s time and resources, three catalogs were shot simultaneously. For part of the shoot we rented the upstairs apartment at Le Marché St. George. The dark wood floors and vintage doors and hardware made for a lovely backdrop. I was very fortunate to work with photographers Tanya and Meghan of Sweet Heirloom again. Here are a few of my favourite shots.